Sunday 8 March 2015

WHY SING IN A CHOIR

By Marco Roncaglia




There isn’t only one answer to this question, since everyone is driven by different reasons, but in my thirty years’ experience I found a couple of them that seem to be common, at least at the beginning. Most people wish to share an enjoyable repertoire (popular, classical, gospel or anything else) and explore their vocal potential.
What happens next depends strictly on the relationship each member establishes both with their fellow choristers and with the director. As time goes by, these interactions form the group’s character, influencing performing choices as well. That’s why it’s immensely important to choose a course of action capable of balancing musical and human aspects.

In decades of choir activity I have become acquainted with countless voice techniques, I have joined different school of thought about directors’ role, I have tried out different approaches to music making. As a result, I can vouch for the success of the Modai method over the others in developing a voice free of any constraint or effort, and in favouring the blossoming of a great harmony between members, director included. The resulting situation has highly beneficial consequences. As a member of the choir I’m directing said: “this approach to singing wipes away any rivalry between us, we all feel we are doing well, even if we are just doing what we can”. Competition is not bad itself: it often becomes a strong drive to improve, both for the single member and the whole group, but it can be dangerous and downright destructive if it arouses envy and resentment among them.

In my opinion, harmony among the members, director included, is the most important premise to make high quality music, capable of involving the audience regardless of the chosen repertoire. The fascinating exploration of senses and emotions, and of biology and physiology which are related as well, benefits the choir both from a musical and a human point of view, creating the best conditions for it to work.
In this way, singing will mean bringing the musical sheet to life every single time. It will make it vibrant and human and therefore captivating both for the singers and for the audience.